Ewan McNeil, Tomahoc Artwork (2024)
Artist: Ewan McNeil
Name of Artwork: Tomahoc
Year of Creation: 2024
Medium: Archival pigment print, floated, and finished in a white wood frame and AR70 glazing.
Dimensions: 17.5×17.5” Finished
Edition number : 6
Bio
Ewan McNeil’s artwork blends technological iconography with geometric patterns, contrasting the precision of engineering with the organic beauty of nature. While presented as paintings, they often begin with photographs, either found or personally captured. These carefully selected objects, often stripped of context, take on an enigmatic quality, with finished forms that explore ambiguity. By overlaying floral and geometric patterns onto these industrial symbols, McNeil subverts their rigid functionality, softening and reinterpreting their meaning.
McNeil’s work suggests a balance between human innovation and the natural world, revealing a hidden harmony between the mechanical and the organic. Rooted in photography, his work abstracts industrial design into form and structure. His compositions invite reflection on how design—whether artificial or organic—follows similar principles of order, growth, function, and beauty revealing the hidden harmony between the mechanical and the natural.
Ewan McNeil lives in works in Vancouver.
Artist: Ewan McNeil
Name of Artwork: Tomahoc
Year of Creation: 2024
Medium: Archival pigment print, floated, and finished in a white wood frame and AR70 glazing.
Dimensions: 17.5×17.5” Finished
Edition number : 6
Bio
Ewan McNeil’s artwork blends technological iconography with geometric patterns, contrasting the precision of engineering with the organic beauty of nature. While presented as paintings, they often begin with photographs, either found or personally captured. These carefully selected objects, often stripped of context, take on an enigmatic quality, with finished forms that explore ambiguity. By overlaying floral and geometric patterns onto these industrial symbols, McNeil subverts their rigid functionality, softening and reinterpreting their meaning.
McNeil’s work suggests a balance between human innovation and the natural world, revealing a hidden harmony between the mechanical and the organic. Rooted in photography, his work abstracts industrial design into form and structure. His compositions invite reflection on how design—whether artificial or organic—follows similar principles of order, growth, function, and beauty revealing the hidden harmony between the mechanical and the natural.
Ewan McNeil lives in works in Vancouver.
Artist: Ewan McNeil
Name of Artwork: Tomahoc
Year of Creation: 2024
Medium: Archival pigment print, floated, and finished in a white wood frame and AR70 glazing.
Dimensions: 17.5×17.5” Finished
Edition number : 6
Bio
Ewan McNeil’s artwork blends technological iconography with geometric patterns, contrasting the precision of engineering with the organic beauty of nature. While presented as paintings, they often begin with photographs, either found or personally captured. These carefully selected objects, often stripped of context, take on an enigmatic quality, with finished forms that explore ambiguity. By overlaying floral and geometric patterns onto these industrial symbols, McNeil subverts their rigid functionality, softening and reinterpreting their meaning.
McNeil’s work suggests a balance between human innovation and the natural world, revealing a hidden harmony between the mechanical and the organic. Rooted in photography, his work abstracts industrial design into form and structure. His compositions invite reflection on how design—whether artificial or organic—follows similar principles of order, growth, function, and beauty revealing the hidden harmony between the mechanical and the natural.
Ewan McNeil lives in works in Vancouver.