Jennifer Lim In/Outward #13
Artist: Jennifer Lim
Title: In/Outward #13
Medium: High-fire stoneware with glaze and underglaze, raku firing
Artwork Size: 5.75” H x 8.5” W x 8” D
Year: 2024
Edition: 1
STATEMENT: This work follows the series “An Offering”—a meditation on death, change, and love/service/sacrifice. Following a labour- and resource-intensive wood-firing, the shift to raku (a low-fire process) represents an exploration of a more sustainable ceramics practice. It is an exploration of the self and clay as porous, responsive, absorbent; and an attempt to mediate between slippery modalities:
Spill / Contain
Too much / Lacking
Self / Other
Gift / Meal
The artist has generously donated her portion of each sale to RAVEN, a Victoria-based non-profit that supports Indigenous Nations enforcing their rights and title in court to protect their lands, sovereignty, and ways of being.
Artist: Jennifer Lim
Title: In/Outward #13
Medium: High-fire stoneware with glaze and underglaze, raku firing
Artwork Size: 5.75” H x 8.5” W x 8” D
Year: 2024
Edition: 1
STATEMENT: This work follows the series “An Offering”—a meditation on death, change, and love/service/sacrifice. Following a labour- and resource-intensive wood-firing, the shift to raku (a low-fire process) represents an exploration of a more sustainable ceramics practice. It is an exploration of the self and clay as porous, responsive, absorbent; and an attempt to mediate between slippery modalities:
Spill / Contain
Too much / Lacking
Self / Other
Gift / Meal
The artist has generously donated her portion of each sale to RAVEN, a Victoria-based non-profit that supports Indigenous Nations enforcing their rights and title in court to protect their lands, sovereignty, and ways of being.
Artist: Jennifer Lim
Title: In/Outward #13
Medium: High-fire stoneware with glaze and underglaze, raku firing
Artwork Size: 5.75” H x 8.5” W x 8” D
Year: 2024
Edition: 1
STATEMENT: This work follows the series “An Offering”—a meditation on death, change, and love/service/sacrifice. Following a labour- and resource-intensive wood-firing, the shift to raku (a low-fire process) represents an exploration of a more sustainable ceramics practice. It is an exploration of the self and clay as porous, responsive, absorbent; and an attempt to mediate between slippery modalities:
Spill / Contain
Too much / Lacking
Self / Other
Gift / Meal
The artist has generously donated her portion of each sale to RAVEN, a Victoria-based non-profit that supports Indigenous Nations enforcing their rights and title in court to protect their lands, sovereignty, and ways of being.