FLAT FILE PROJECT

The Flat File Project is an innovative lens-based print edition project connecting emerging and mid-career artists with art collectors. The Flat File Project features artwork from five locally based artists each invited by an independent curator. The curator and the gallerist work collaboratively with each artist to identify a selection of artwork for the Flat File drawers. Each artwork is issued as a limited edition of 10 and comes with an artist-signed Certificate of Authenticity. The archival prints are available directly from Gallery 881 from either the physical Flat File drawers or purchased online here. If you would like to see the prints in person, please drop by the gallery or contact the gallerist for more information.

“Through their work, the artists speak to the intersection of ancestral bonds, memory, identity and artistic labour, while also considering the constructed image and camera-mediated experience. Their disparate practices find common ground through their unique approach to process and materiality—surface, light, assemblage and the body’s relationship to material, sculpture and technology are just a few of the themes explored in this exciting selection of work.”

— Kate Henderson, Independent Curator

  • ROMANE BLADOU

    Artist Statement

    I am a French artist and currently live and work on the unceded and ancestral territory of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. My interdisciplinary practice is rooted in photography and critically considers methodologies, materiality, and modes of presentation. Through experimentations with analogue and digital image-making tools, my research centres on the camera-mediated relationship between body and space, as well as the material and representational potential of the photographic surface.

  • MICHELLE SOUND

    Artist Statement

    Michelle Sound is a Cree and Métis artist, educator and mother. She is a member of Wapsewsipi Swan River First Nation in Treaty 8 Territory, Northern Alberta and she was born and raised on the unceded and ancestral home territories of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish) and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) Nations. She is a multidisciplinary visual artist and her art practice includes a variety of mediums including photo based work, textiles, painting and Indigenous material practices. Her artwork often explores her Cree and Métis identity from a personal experience rooted in family, place and history. She holds a Bachelor of Fine Arts from Simon Fraser University, School for the Contemporary Arts, and a Master of Applied Arts from Emily Carr University Art + Design.

  • CHAD WONG

    Artist Statement

    As a visual artist based in Vancouver, I am captivated by the intricate intersection of my identity as a first-generation Chinese-Canadian immigrant and the ordinary aspects of everyday life. Through my work, I delve into the nuances of mundane spaces and objects, seeking to unveil the hidden narratives and profound meanings that lie within them. Drawing upon my personal experiences and cultural background, I embark on a visual exploration of the shifting cultural landscapes within the Chinese-Canadian diaspora community. Through my art, I invite viewers to reevaluate their perception of the everyday, to find beauty and resonance in the seemingly mundane. By embracing the everyday, I hope to create a space for connection, dialogue, and a celebration of cultural diversity.

  • GERRI YORK

    Artist Statement

    Gerri York is a Vancouver based visual artist and was born in London, England. She completed a B.Ed. Degree (Hons.) at St. Gabriel's College, London University, UK, and holds a BFA in Visual Arts from Emily Carr University, Vancouver, Canada. Gerri York’s artistic focus has specialized in photographic and print media that merges photography with sculpture, a praxis that concentrates on material employment and experimentation. Her studio research is a continuation of the sculptural, material and spectral aspects of the photogram work, Folding. Materials and their collaboration with photography interests York and the qualities of light, transparency and materiality are consistent aspects unifying the images completed in recent years. It is this specific quality in photography that informs her approach, the reflective nature of light and its relationship to materials.

  • KAREN ZALAMEA

    Artist Statement

    Karen Zalamea is a Filipino-Canadian artist, educator, and cultural worker based in Burnaby, Canada, on the unceded and ancestral territories of the Hən̓q̓əmin̓əm̓ and Sḵwx̱wú7mesh speaking peoples. My interdisciplinary practice is rooted in photography and critically considers methodologies, materiality, and modes of presentation. Through experimentations with analogue and digital image-making tools, my research centres on the camera-mediated relationship between body and space, as well as the material and representational potential of the photographic surface. From photographing landscapes with a handcrafted large-format camera with ice lenses, to weaving 50-foot long ropes of reproduced family photo archives, to digitally merging domestic marble surfaces in an imagined restoration to the land—my work has expanded to use photography as a means to think through and encounter broader issues of identity, memory, and inheritance.

FLAT FILE CURATOR

Kate Henderson
Independent Curator

Kate Henderson, Curator for the Flat File Project. Photo Credit: Alexa Mazzarello

Kate Henderson (she/her) is a curator, writer, educator, artist and cultural worker of white UK settler ancestry based on the unceded territories of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ/Selilwitulh (Tsleil-Waututh) Nations in what is colonially known as Vancouver, Canada.

Kate is committed to amplifying the voices of emerging and underrepresented artists. Through her curatorial work, which primarily focuses on lens-based media, she seeks to decentre patriarchal and oppressive legacies by finding connections between artists who explore the many-faceted aspects of identity, labour and personal histories. In particular, her research has a keen interest in gender, access, motherhood, care, decolonization and the interstices between.

Kate has held curatorial positions at Capture Photography Festival, Vancouver (Director/Curator, 2018-20); Art Gallery at Evergreen (AGE), Coquitlam (Interim Curator, 2021-22); and Gordon Smith Gallery of Canadian Art, North Vancouver (Guest Curator, 2022). Kate is particularly interested in public art and has curated numerous public art projects in her roles at Capture and AGE.

From 2014 to 2018, Kate served on the Board of Directors at Access Artist-Run Centre, Vancouver, where she was president from 2016 to 2018. Kate has taught at Emily Carr University of Art + Design (ECUAD), University of British Columbia (UBC), Arts Umbrella and ArtStarts in the photography and visual arts programs. Her work has been exhibited across Vancouver at Access Gallery, Burrard Arts Foundation, Morris and Helen Belkin Art Gallery, Belkin Satellite, Gallery 295 and the AHVA Gallery at the Audain Art Centre at UBC. She holds an MFA in Visual Arts from UBC, Vancouver (2013) and a BFA from ECUAD, Vancouver, with a Major in Photography (2007).

Photo Credit: Alexa Mazzarello